Titicut Follies

Dir. Frederik Wiseman, English, USA

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Sun 29 September 2013 // 18:30 / Cinema

Trailerhttp://vimeo.com/19933367


THE LEGENDARY BANNED FILM FROM 1967 THAT WENT INSIDE OF AN INSANE ASYLUM


The title of the film is taken from a talent show put on by the hospital's inmates, which was named after the Wampanoag word for the near by Taunton River.  In 1967 the film won awards in Germany and Italy. Later on Wiseman made a number of such films examining social institutions (e.g. hospitals, police, schools, etc.) in the United States.

TITICUT FOLLIES is a documentary film that tells you more than you could possibly want to know — but no more than you should know — about life behind the walls of one of those institutions where we file and forget the criminal insane… A society’s treatment of the least of its citizens — and surely these are the least of ours — is perhaps the best measure of its civilization. The repulsive reality revealed in TITICUT FOLLIES forces us to contemplate our capacity for callousness.

–Richard Schickel, Life

After a showing of TITICUT FOLLIES the mind does not dwell on the hospital’s ancient and even laughable physical plant, or its pitiable social atmosphere. What sticks, what really hurts is the sight of human life made cheap and betrayed. We see men needlessly stripped bare, insulted, herded about callously, mocked, taunted. We see them ignored or locked interminably in cells. We hear the craziness in the air, the sudden outbursts, the quieter but stronger undertow of irrational noise that any doctor who has worked under such circumstances can only take for so long. But much more significantly, we see the ‘professionals’, the doctors and workers who hold the fort in the Bridgewaters of this nation, and they are all over…TITICUT FOLLIES is a brilliant work of art…

–Robert Coles, The New Republic

TITICUT FOLLIES is a great work, a near-masterpiece not just of the documentary form, but of moviemaking in any category. It’s a film that transcends the time and place of its manufacture, and it should be seen not just by documentarians and film students but by anyone interested in the movies as a medium capable of powerfully presenting the human condition.

–Ray Greene, Village View