Dir. Mike and George Kuchar, English, USA
-
Thu 26 September 2013 // 19:30
/ Cinema
Twin brothers from The Bronx, Mike and George have created a do-it-yourself cinematic style that celebrates the common man but does so in style oozing with “kitchen sink” Hollywood excess.
Starting in the mid-50s with a string of shorts shot on the regular-8 format, they switched to 16mm around 1965 and began making their own films. George sadly passed away in 2011, so Little Joe, a magazine about queers and cinema, mostly, have teamed up with Copenhagen-based Jack Stevenson to honour both brothers, presenting a selection of their work (1966-1978) from Jack’s own 16mm collection.
4 films:
Hold Me While I’m Naked (1966, George Kuchar, US, 15mins), a playful satire of motion picture making that leads to existential contemplations on the meaning of life.
The Craven Sluck (1967, Mike Kuchar, US, 23mins), about the sordid domestic routines of a typical Bronx married couple, Adel and her office worker husband, Brunswick.
The Secret of Wendell Samson (1966, Mike Kuchar, US, 30mins), a personal story of inner turmoil is told in the vocabulary of science fiction, expressionism and pop-fantasy which is entertaining yet sincere and soberly conceived.
Mongreloid (1978, George Kuchar, US, 13 mins), a tribute to George’s dog, Bocko, who appeared in so many of the brothers’ films and was undoubtedly the best known dog in underground cinema.
About "Hold Me While am Naked":
"The film is a semi-autobiographical rumination on the frustrations of a maker of soft-core pornographic films. Many movie scholars consider it one of camp’s defining texts." - NEW YORK TIMES
About George Kuchar, who died in 2011:
"Mr. Kuchar’s ability to make movies on a shoestring during a prolific career in which he sometimes made two or three films a year for the art-house circuit was a point of pride for him, and an inspiration to several generations of young filmmakers." - NEW YORK TIMES
About the Kuchar Brothers:
The Kuchar Brothers were “the people who made me want to make movies. They were the first ‘experimental’ filmmakers I ever read about when I was 15. They were giants. They inspired four to five generations of militantly eccentric art fans. To me they were the Warner Brothers of the underground.” - FILMMAKER JOHN WATERS
"In the history of experimental film, George and Mike Kuchar stand out like a luridly lit, throbbing purple thumb. Along with Jack Smith, Andy Warhol, Ken Jacobs, et al., the twin Kuchars are among the most emblematic avant-garde filmmakers of their generation." - VICE
TICKETS
On the door: £5/£3.50
Or advance tickets here: £4.50/£3 http://www.wegottickets.com/event/236491