We’ll be ending the season with the master’s first two feature films.

Cronenberg’s icy first featurettes show a young director already sure of his fecund thematic territory, investigating the convergence of fringe medicine and outlaw sexuality in Stereo (1969), wherein subjects at a sex-research institute undergo brain surgery to acquire telepathic powers, and Crimes Of The Future (1970), which arranges a bizarre interface of dermatology and paedophilia.